Saturday, 9 January 2016

Reading: The Power of Stories

Reading: 



The Power of Stories

While reading is much more cool these days than when I was young, we do have to remember reading is something that only the few had access to for most of human history.
I don't begrudge readings coolness. I appreciate how older prints and different editions are now easier for me to find. (Though I have this skill of being able to find books that are rare and expensive for piss all in flea markets or charity shops.)
My mother was a big read but didn't read to me. My father (before I was five) would not only read but do all the voices and perform the stories. After the divorce he would record stories onto tape, even adding a noise to tell me when we could turn the page.
Little wonder reading became so important to me. Reading was so pleasurable, much like dancing, I didn't feel it was an effort at all. I now know how much harder I have to work as a dyslexic person to get the words into my brain. I don't belittle or get snobbish about audio books either.
Interestingly reading to children (I mean who wouldn't like bedtime stories?) is not just wonderfully bonding, great for getting kids calm and happy, it actually changes their brains!

This has throws up so many ideas in my brain.
You see psychologically, we are create narratives constantly and when they don't mesh with the outside would it can cause break-downs and all kinds of mental health problem. This cognitive dissonance comes down to how we tell ourself our story.

This power of stories is both a curse and a boon.

There is a large bang. You go to the window and it is dark. Now quiet, everything appears normal.
"Probably just a car backfiring". 

Our past and our frames of reference inform us, and blind us to the world around us.

There is a large bang. You go to the window and it is dark. Now quiet, everything appears normal.
"Come away from the window, someone was shot."

Most people are not aware of this narrative thinking. This is why reading, and reading widely is important.
It allows you to freedom from the idea there is one narrative thread. That there is one set way to view the world. In evolutionary terns it makes us more adaptable to change. More resilient to the psychological stresses. Growing up I read all kinds of books sometimes several at a time. Most of the protagonists were male but instead of this isolating me it just enabled me to walk into worlds, stories where I was treated with all the male privilege. I was never the damsel in the story, I was the hero. Doing the daring do. To me it was quite profound in setting how I thought of myself.

This is why "Chic Lit" is just the dumbest idea from publishers and a trend I abhor.
The formula seem to be this
female writer+ female protagonist+human connection = Chic Lit 

So many amazing books, and wonderful stories are lumped into a grouping that stops men from hearing these voices. Voices that can be beautiful and powerful and really deserve to be read.
Reading should not be gendered.
Reading what it is like to grow up female should be compulsory.
Everyone should read The Color Purple.
Everyone should read Tolkien, even if it is the Hobbit to your children.

Stories are hugely powerful. Inhabiting worlds can show you what racism, sexism and being a villain or hero is like. This dreaming while awake is good for the mind and in my opinion, good for the soul.
This why "just watch the movie" is so wrong. It is much more personal. So much more visceral when you are not passively absorbing something but creating it within your mind. 
This changes how you emotionally connect with the content and you get to choose the voices, the soundtrack. You get to know how things smell, and taste and feel. What people are thinking as well as doing.

 So much of our lives is based on stories, narratives. When we are able to hear other people's voices, spend some time in their shoes we are empowered. In reading with others, in sharing stories with our children and friends we share this tool. This gift. We are always more able to control our narrative thinking (if you don't believe me watch a group of roleplayers the week after their first mimic).
It allows us to be our own hero's. Know that we can survive anything, from the end of the world to war, to lost love.     

Friday, 18 December 2015

Keyleth's Song

Keyleth's Song

Hey boo, it's me not you.
I want to run, burn like the sun
For you.
What happens if I open my heart
And it all falls apart,
The way things do?
What if I make a mess again?
I couldn't bury my shame.
I can soar like an eagle
But you make me feel weak
My tiger heart tears me apart
When you touch me, I can't speak.

Let me fly free
Let me be my untamed heart
Let me roar
Let me be my untamed heart

Everyone goes away in the end
If I lost you as a friend I would die
A little inside.

Hey you, stealing is what you do.
I want it too, burn like the sun
For true.
What happens if we are one heart
And we fall apart
The way things do?
Second guesses and awkward messes
I couldn't bury my shame.
I can soar like an eagle
But you make me feel weak
My tiger heart tears me apart
When you look at me that way,
I can't speak.

Let me fly free
Let me be my untamed heart
Let me roar
Let me me my untamed heart.

When I run to you I'll be a river
When it's our season I will fall
When it's right, some starry night
I will take your breathe away


Let me fly free
Let me be my untamed heart
Let me roar
Let me me my untamed heart.





Thursday, 17 December 2015

Why I love Critical Role

Why I love Critical Role

I trained in theatre from about the age of four. My Dad was an actor and all I ever wanted to do was be an actor. I was at university when I discover role play games. First being White Wolf's Vampire the Masquerade, then others. Slowly I was drawn into LARP as well.
As I found this space for almost limitless character driven performance, the safety and  acceptance of my body type and the joy of not being myself my desire for "theatre proper" waned.
In the university I was, as it were, "piece of meat in training". It was hard, brutal and soul crushing.
I walked away from that life path at 21 knowing it was making me both sick and miserable.
Of course role play is not without it's sticking points, especially as a woman. It was a boys club and often more about maths than a character.
This is why I LOVE Critical Role. I love it because while there are stats and dice rolls what the characters do is driven by beautiful back stories. Real vulnerabilities. Real relationships and desires. They play the role.
I will often watch the weeks episode a few times and while I like other games (Titan's Grave is masterful and wonderfully acted) I like to listen to it like a radio play. The sound effects are there. The vocal characterisation is there. The Mercher does the most gloriously horrific monster and squishy deaths.
I love the actors. All for all sorts of reasons. Travis is a visceral player, and quite tactically savey ( not that Grog is  played that way). Laura is a delight, her energy and joyful quality bringing a sweetness to her cool crisp wonderfully complicated character. Liam has a heartstopping and dizzying depth of characterization that he seems to be able to switch on and off like a light switch.. Ashley (when is there) brings out the character's softer sides with deftness that looks effortless. Sam plays a lot for laughs but always stays on that edge, investing heavily into the relationships of other characters, turn what could be a throw away character into something else. Marisha is a amazing. She wraps her character around her and wears her so fully it is only watching her be herself in other things (like Critmas and other Twitch stream) you appreciate how much work goes into that. Taliesin brings a sense of danger and vulnerability to a character that would not be easily accessible were it not for his ability to paint his rage in clipped tones and heartache with silence of "I'm fine".
The acting is like that of a great rep theatre group. They all have their strengths (as players and characters) and weaknesses but they support each other, and push each other into deeper connections, exploring the world and feeling within it. The in jokes and pranks, undeclared loves and loathing add to the uplifting and unique quality.
Part of this is down to time. Few actors get the chance to play a character and develop it for years at a time. The other is Mercher. He challenges them, creates not just a cohesive world but one with moral ambiguity and space for mistakes and rumination as well as breath taking scenery and terrifying monsters.
It is the best cartoon in the work (thanks Kit) made with unlimited budget of my brain.

I have watched other streams, and run a game myself but this game is special.
It takes everything I love about tabletop and neatly clips away a lot of things I don't and it is wonderful.
(P.S. I miss you Orion and Vox Mochina really need a spell caster!)
Nerdgirl out!